Kamis, 15 Mei 2014

Restless Empire: A Historical Atlas of Russia, by Ian Barnes

Restless Empire: A Historical Atlas of Russia, by Ian Barnes

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Restless Empire: A Historical Atlas of Russia, by Ian Barnes

Restless Empire: A Historical Atlas of Russia, by Ian Barnes



Restless Empire: A Historical Atlas of Russia, by Ian Barnes

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From the first Slavic migrations to the Romanovs’ rise to the Putin era, Russia has endured for centuries as a nation whose sheer size and diversity have challenged its rulers and shaped its identity. Restless Empire illuminates the epic sweep of Russian history in a beautifully illustrated full-color atlas depicting the essential cultural, political, economic, and military developments of Russia’s past.

Like the double-headed eagle that is its state emblem, Russia has always looked abroad to both the East and West, searching for secure trade routes, trustworthy allies, and defensible frontiers. Expansion beyond Muscovy’s forested confines began in the fifteenth century, when Ivan III rejected Mongol rule and moved into the Russian steppe. The waterways linking the Baltic to the Black and Caspian seas were crucial to Russia’s development from the Middle Ages onward. The age-old quest to acquire warm-water ports culminated in the construction of St. Petersburg in the eighteenth century, when imperial Russia began to rival Europe’s Great Powers.

From Ivan the Terrible to Catherine the Great, Lenin and Stalin to Yeltsin and Putin, Russia’s rulers have carved their nation’s destiny into world history, sometimes bending Russia toward despotism or democracy, internationalism or brusque independence. Russia’s titanic conflicts―against the Tatars and Turks, Napoleon, Nazi Germany, and the United States―and its political upheavals from the Time of Troubles to the Soviet Union’s downfall, as well as ongoing strife in Chechnya and Crimea, are presented chronologically in accessible text accompanied by detailed maps and illustrations.

Restless Empire: A Historical Atlas of Russia, by Ian Barnes

  • Amazon Sales Rank: #126859 in Books
  • Brand: Barnes, Ian/ Lieven, Dominic (INT)
  • Published on: 2015-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x .80" w x 8.60" l, .0 pounds
  • Binding: Hardcover
  • 240 pages
Restless Empire: A Historical Atlas of Russia, by Ian Barnes

Review [Restless Empire] uses dozens of maps to visualize a thousand years of geopolitical turbulence…Most powerful are [Barnes’s] maps of the wars that repeatedly threatened to tear the empire apart, from Napoleon’s doomed invasion in 1812 to Hitler’s Operation Barbarossa in 1941. (Joshua Hammer New York Times Book Review 2015-12-06)The word ‘atlas’ brings to mind a collection of geographic maps, but that image doesn’t do justice to the richness, imagination, and comprehensiveness of this physically beautiful volume. Barnes has collected and painstakingly reproduced maps and texts that trace Russian history from the origins of the Slavs (800–200 BC) to Russian President Vladimir Putin’s annexation of Crimea… The impact is visually stunning and gives this massive expanse of history a physical quality. (Robert Legvold Foreign Affairs 2015-09-01)This beautiful book tells the story of Russia through maps, beginning with the Slavic migrations from 900 to 500 BCE and ending with what the author calls the ‘Shadow Empire’ of the Russian Federation and the assertions of Vladimir Putin that parts of Moldova and Ukraine constitute a ‘New Russia.’ In between, maps show the shifting boundaries of empires, the roles of serfs and Jews, and the wars that challenged and shaped Russian self-understanding. Barnes, who died just before finishing the manuscript, can’t explain Russian thinking about the meaning of its territory and its menacing eye on its neighbors, nor can he predict how the story will end, but he superbly illuminates the complexity and the diversity of this mysterious country. (Christian Century 2015-06-24)This historical atlas is timely, showing precisely the factors, patterns, and geography that led to present-day tensions with Russia. The book is richly illustrated and well written and, as with all great atlases, can be described as beautiful. Its strengths are the quality, number, breadth, and detail of the maps. Though it covers all historical eras, the book is particularly strong in its coverage of recent (postwar) Russian history…This will be a mandatory book for Russian history and geography collections. (R. W. Benfield Choice 2015-10-01)[A] valuable reference source on the history of Russia in maps…This work enhances readers’ knowledge of complicated geopolitic. (Library Journal 2016-03-01)

About the Author Ian Barnes was Emeritus Chair of the Department of History at the University of Derby and a Fellow of the Royal Historical Society.Dominic Lieven is a research professor at the University of Cambridge and Fellow of the British Academy.


Restless Empire: A Historical Atlas of Russia, by Ian Barnes

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11 of 11 people found the following review helpful. A superb atlas and very much up to date regarding ... By David G. Cercone Jr. A superb atlas and very much up to date regarding the current crises in Ukraine and Crimea. All Russophiles should grab a copy if they can.

9 of 9 people found the following review helpful. Best Russian maps I've seen By Arnold Morgan Best Russian maps I've seen! If those with clout would look at these maps, they would better understand why Putin and friends do what they do.

6 of 6 people found the following review helpful. Great combination of maps and information By James M. Totman Great combination of maps and information. A great book for both those who are familiar with Russia and those who are relatively new to the subject.

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Restless Empire: A Historical Atlas of Russia, by Ian Barnes

Restless Empire: A Historical Atlas of Russia, by Ian Barnes
Restless Empire: A Historical Atlas of Russia, by Ian Barnes

Rabu, 14 Mei 2014

Pigeon (The Ornis Experiment Book 1), by Olga Werby

Pigeon (The Ornis Experiment Book 1), by Olga Werby

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Pigeon (The Ornis Experiment Book 1), by Olga Werby

Pigeon (The Ornis Experiment Book 1), by Olga Werby



Pigeon (The Ornis Experiment Book 1), by Olga Werby

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Pigeon is eleven, homeless, and now an orphan. Alone and scared, he seeks to find a new family. But the past he barely remembers comes back to haunt him, endangering his newly-found friends, the Kikkert Family. Fortunately, the Kikkerts want to adopt Pigeon even if he is wanted by strange para-military DNA warriors. As they race through San Francisco to save each other, the true nature of Pigeon's birth is revealed as well as the secret identity of Madam Toad—the matriarch of the Kikkert Family. What does is mean to be human? What does it take to be a family? Pigeon is willing to risk his life to learn and to love.

Pigeon (The Ornis Experiment Book 1), by Olga Werby

  • Amazon Sales Rank: #1006790 in eBooks
  • Published on: 2015-09-01
  • Released on: 2015-09-01
  • Format: Kindle eBook
Pigeon (The Ornis Experiment Book 1), by Olga Werby


Pigeon (The Ornis Experiment Book 1), by Olga Werby

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0 of 0 people found the following review helpful. Recommended. Good Read. By J Bryden Lloyd Book Review: Pigeonby Olga WerbyReviewed by J Bryden LloydNote: I was gifted a copy of this work for an honest read and review. The following review, as with all reviews, is my personal opinion of the submitted text.Writing Style – 3.5/5.0 (Good)There was a lot to take in content-wise, which I thought had a slight effect on the flow and structure of the read.Throughout the book, several characters have to be established and placed into their roles and this, I felt, threw a lot of extra work and effort onto the author. Although the desired result is achieved, there are times where the pace of the book is dragged back in order to accomplish the task.The chapter and dialogue structures are very good, though I will return to the dialogue later in relation to other elements of the review.Character Development – 3.5/5.0 (Good)I was a little torn on this, primarily because the younger characters, Pigeon, Ruth and Gabe, are very nicely developed and the central plot is built around them.Jupiter and Tum feel too incomplete, although Tum does gain far more depth later in the story, which Jupiter does not.Madam Toad is quickly built as a central character, but I really found little in the way of relatable depth in her. Meanwhile, Zed and Nicole feel very flat, even when they become more active within the story.Unfortunately, beyond this main group, none of the characters feel rounded or realistic, which served to make them far too forgettable.This may well be down to the fact that the sub-plots are wound very tightly into the central plot, which doesn’t really allow the fresh characters the time and space to establish themselves.As a book which seems to be aimed at younger readers, this is not a big deal and – to be honest, despite the ‘meal’ I have made of it – the characters do work well enough to support their parts of the plot and to pull the story along.Descriptive – 4.5/5.0 (Excellent)The environments and characters are beautifully drawn and the events are vividly detailed.As a bonus, the dialogue was – more often than not – a perfect foil for the descriptive; enhancing the mood of the scenes and pulling the reader in to experience the characters as they worked through their scenes.I did feel that there were a few occasions where the potential for a little more suspense in the read was forgone in favour of pushing the plot along. A minor disappointment for me, because when the suspense and mood was allowed to shine, it made good scenes excellent.Language & Grammar – 4.0/5.0 (Very Good)The word selection and grammar usage was excellent, covering a wide reading range and ability.I found a small selection of incorrect/missing words and some minor spelling errors, but nothing a quick sweep-through would fail to pick up. In some cases, these were nothing more than a missing letter, but even so, certainly in need of a check.Otherwise, the standard of editing was very good indeed.Plot – 4.5/5.0 (Excellent) – VERY MINOR SPOILERSIt never fails to amaze me how genres and subjects flow like the tides. In recent weeks, I seem to have been inundated with books about genetic manipulation, DNA, scientists, etc… and all whilst my own book along those similar lines goes through its third edit.In this case, I found a very original, entertaining plot, with a decent range of characters and some nicely worked sub-plots.Admittedly, my preference would have been for a little more completion in some of the characters, but what I got seemed to work.The boy, who inexplicably takes flight immediately following the trauma of losing his mother, but then falls into the lap of the family who can ultimately help keep him out of the clutches of the bad guys… okay, yes, a tiny leap of faith there, and I’ll happily admit it would have been a far more engaging tale, had both parties been hunting for him.Everything is easier in hindsight.As it goes, this is a nice, accomplished story... perhaps with some very small plot holes regarding the military personnel who seem to be on the wrong side, but that wasn’t a deal breaker.The end was a little too ‘I-saw-that-coming’, but it leaves an opening for the author to exploit at a later date.General – 3.5/5.0 (Good)Right… now for everything else…I didn’t like the cover, though it does fit to the story. For me, it was just too bland to stand out and shout ‘Pick me!’.The pictures in the book are excellent and added a little something to the read, but there were a few places where the picture showed an upcoming event, and that made it a little confusing until you had read on enough to understand.In some cases, this also meant they were more like spoilers than an enhancement.Personally, I found the pictures of actual pigeons a bit unnecessary, as they related only in the loosest of ways to the character.All-in-all, this was a great story well told. Definitely one for young teens (and perhaps younger readers) but the premise certainly made it entertaining, even for me.Good enough for a recommendation and deserving of 4 Stars.

0 of 0 people found the following review helpful. Hoping for a sequel By Judy P. An imaginative and well-spun story of human drama with science fiction overtones. Other readers might see it as a science fiction novel with overtones of human drama, but nonetheless, this book captures the best of both worlds. Flies (no pun intended) in the face of conventional stereotypes. Bold, adventurous, and unpredictable. I didn't want it to end. Weeks later, I find myself thinking about the characters and wishing they were real so I could meet them. Hoping for a sequel!

0 of 0 people found the following review helpful. Pigeon Flies By Paintbox Pigeon, a story about a homeless boy who finds out that he can fly is a wild adventure where the author mixes mixes science and science fiction with a taut thriller. Once again, Werby spins a tale involving a multigenerational family whose members surprise one another with hidden talents and revealing pasts. Young boys and girls come off as equally brave heroes and sometimes even grandmother's save the day. I await book Two with great anticipation.

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Pigeon (The Ornis Experiment Book 1), by Olga Werby
Pigeon (The Ornis Experiment Book 1), by Olga Werby

Mathieu Matégot (English and French Edition), by Patrick Favardin

Mathieu Matégot (English and French Edition), by Patrick Favardin

Downloading and install guide Mathieu Matégot (English And French Edition), By Patrick Favardin in this website listings can give you a lot more benefits. It will certainly reveal you the very best book collections as well as finished collections. Numerous publications can be found in this web site. So, this is not just this Mathieu Matégot (English And French Edition), By Patrick Favardin Nevertheless, this book is described read since it is an inspiring book to provide you more chance to get experiences as well as thoughts. This is simple, check out the soft documents of guide Mathieu Matégot (English And French Edition), By Patrick Favardin and also you get it.

Mathieu Matégot (English and French Edition), by Patrick Favardin

Mathieu Matégot (English and French Edition), by Patrick Favardin



Mathieu Matégot (English and French Edition), by Patrick Favardin

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Mathieu Matégot was a leading French designer of the 1950s. This artist of Hungarian origin was highly productive over a period of some twenty years, experimenting with materials, form and color both in his furniture designs and in the art of tapestry-making, which he practiced into the 1980s.He invented his own artistic language, whose key elements were rigitulle, a type of perforated sheet metal, which he patented and which, by means of a system of folds, enabled him to shape his perforated metal in space, as well as férotin, a balanced blending of metal and rattan.He commercialised his furniture abroad through his own company, notably in the UK and the Netherlands, and in the 1950s regularly participated in the major trade shows, such as the Salon des arts ménagers (domestic arts trade fair) and the Salon des artistes décorateurs (Interior decorators trade fair). He designed many significant public and private commissions: part of the Drugstore des Champs-Élysées, the layout of the airport of Tit-Mellil in Casablanca, and many tapestries for Air France, the French consulate in New York, etc.This book provides a detailed overview of his entire career, thanks to a number of documents from the period, especially those made available in his family archives. It helps to better understand the inspiration for his creations and most importantly to rediscover a rich and varied body of work.Text in English and French.

Mathieu Matégot (English and French Edition), by Patrick Favardin

  • Amazon Sales Rank: #860932 in Books
  • Brand: Favardin, Patrick
  • Published on: 2015-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.14" h x 1.27" w x 9.57" l, 5.02 pounds
  • Binding: Hardcover
  • 360 pages
Mathieu Matégot (English and French Edition), by Patrick Favardin

About the Author Patrick Favardin is an art historian and critic. His work focuses mainly on research and writing on the decorative arts of the second half of the 20th century and exhibition curatorship. He is also the author of a number of books on artistic movements and emblematic figures of the decorative arts. He has authored and published with Editions Norma: Les Decorateurs des annees 50, Les decorateurs des annees 60-70, La lampe Gras, Jean-Michel Frank. Un decorateur dans le Paris des annees 30, Jean Derval, ceramiste et sculpteur, Kristin Mckirdy ceramiste.


Mathieu Matégot (English and French Edition), by Patrick Favardin

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0 of 0 people found the following review helpful. A must have book for collectors of mid century modern design By David This gorgeous hardcover book is a must have for serious collectors and enthusiast of mid century modern design. It is a beautiful display of Mathieu Mategot's craftsmanship and a handsome compilation of his amazing tapestries. I highly recommend this book…I own a previous retrospective publication on Mategot and yet I was very pleased upon receiving this book. It is well worth having.

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Senin, 12 Mei 2014

The Journey to Centennial PASSPORT: Zeta Phi Beta Sorority, Incorporated,

The Journey to Centennial PASSPORT: Zeta Phi Beta Sorority, Incorporated, by Zeta Phi Beta Sorority Incorporated

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The Journey to Centennial PASSPORT: Zeta Phi Beta Sorority, Incorporated, by Zeta Phi Beta Sorority Incorporated

  • Amazon Sales Rank: #385633 in Books
  • Published on: 2015-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .28" w x 7.00" l, .50 pounds
  • Binding: Paperback
  • 122 pages
The Journey to Centennial PASSPORT: Zeta Phi Beta Sorority, Incorporated, by Zeta Phi Beta Sorority Incorporated


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2 of 2 people found the following review helpful. Five Stars By Erma g. Killings Great book.

1 of 1 people found the following review helpful. Five Stars By Melanie Williams Great,great, great

2 of 3 people found the following review helpful. Four Stars By Erica I thought it would be smaller but I see now why it is the way it is

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Sabtu, 10 Mei 2014

The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time,

The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

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The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales



The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

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On April 6, 1922, in Paris, Albert Einstein and Henri Bergson publicly debated the nature of time. Einstein considered Bergson's theory of time to be a soft, psychological notion, irreconcilable with the quantitative realities of physics. Bergson, who gained fame as a philosopher by arguing that time should not be understood exclusively through the lens of science, criticized Einstein's theory of time for being a metaphysics grafted on to science, one that ignored the intuitive aspects of time. The Physicist and the Philosopher tells the remarkable story of how this explosive debate transformed our understanding of time and drove a rift between science and the humanities that persists today.

Jimena Canales introduces readers to the revolutionary ideas of Einstein and Bergson, describes how they dramatically collided in Paris, and traces how this clash of worldviews reverberated across the twentieth century. She shows how it provoked responses from figures such as Bertrand Russell and Martin Heidegger, and carried repercussions for American pragmatism, logical positivism, phenomenology, and quantum mechanics. Canales explains how the new technologies of the period--such as wristwatches, radio, and film--helped to shape people's conceptions of time and further polarized the public debate. She also discusses how Bergson and Einstein, toward the end of their lives, each reflected on his rival's legacy--Bergson during the Nazi occupation of Paris and Einstein in the context of the first hydrogen bomb explosion.

The Physicist and the Philosopher is a magisterial and revealing account that shows how scientific truth was placed on trial in a divided century marked by a new sense of time.

The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

  • Amazon Sales Rank: #126297 in Books
  • Published on: 2015-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.50" w x 6.30" l, .0 pounds
  • Binding: Hardcover
  • 488 pages
The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

Review One of Science Friday's Best Science Books of 2015, chosen by Maria PopovaOne of The Independent.ie Irish Writers' Top Reads 2015One of Brainpickings' The Best Science Books of 2015"In illuminating a historic 1922 debate between Albert Einstein and Henri Bergson about the nature of time, Canales marks a turning point in the power of philosophy to influence science."--Publishers Weekly"Sparks--both incendiary and illuminating--fly from the collision of two giants!"--Booklist, starred review"This fascinating, scholarly, readable look at physics and epistemology will interest readers of science, history, philosophy, and biography."--Library Journal, starred review"Whether or not you agree, this humane and melancholy account of how two talents misunderstood each other will linger in the mind."--New Scientist"[Canales] weaves a tale around Europe and to America. . . . [Her] subject raises important core philosophical issues, like the scope of philosophy itself."--Michael Ruse, The Chronicle of Higher Education"This fascinating book traces a debate about the nature of time. . . . Canales has done a masterful job of research and explication. Her account of the debate is lively, the background of it is interesting, and the debate's ramifications as filtered through other minds are downright exciting. Anyone interested in physics or philosophy will have a field day with this book."--Kelly Cherry, The Smart Set"Canales does sterling work investigating these engagements . . . [A] stimulating book."--Graham Farmelo, Nature"In The Physicist and the Philosopher, Canales recounts how Bergson challenged Einstein's theories, arguing that time is not a fourth dimension definable by scientists but a 'vital impulse,' the source of creativity. It was an incendiary topic at the time, and it shaped a split between science and humanities that persisted for decades--though Einstein was generally seen as the winner and Bergson is all but forgotten."--Nancy Szokan, Washington Post"A book remarkable both for its profound research and for its elegance in presentation. Intellectual history should always be so accessible."--Benjamin Franklin Martin, Key Reporter"[General and professional readers] will learn much from a study that is accessible and edifying to a great diversity of readers."--Choice"The Physicist and the Philosopher . . . is at least three things: a monument to precise scholarship, an exemplar of logical clarity, and a fine example of excellent writing. I have rarely learned more from a book."Peter A.Y. Gunter, Physics in Perspective"Brilliant."--James Gleick, Bits in the Ether"A masterwork of cultural forensics."--Maria Popova, Brainpickings

From the Back Cover

"The Physicist and the Philosopher explores the nature of time, the meaning of relativity, and the place of philosophical thought in a scientific age. Canales aims to reposition Einstein's work in a field of disputation and give Bergson back the significance he had in his contemporaries' minds."--Cathryn Carson, University of California, Berkeley

"Like a stone cast on still waters, the Einstein-Bergson debate on the nature of time set off ever-widening ripples in physics and philosophy, but also in art, politics, and religion. In this fascinating book, Canales has written a kind of alternative intellectual history of the interwar decades of the twentieth century, one full of color and improbable conjunctions of people and ideas."--Lorraine Daston, Max Planck Institute for the History of Science, Berlin

"Is time too important to be left to the physicists and their measuring devices? That was the issue at stake in a 1922 debate between Albert Einstein and philosopher Henri Bergson, celebrated at the time and wonderfully recovered in Jimena Canales's new book. A fascinating look at a pivotal moment in how we think about one of the most fundamental features of the universe."--Sean Carroll, author of From Eternity to Here: The Quest for the Ultimate Theory of Time

"Sometimes past battles have repercussions that resonate long after memories have faded. In dramatic fashion, Jimena Canales demonstrates how a seemingly forgotten debate between Einstein and Bergson about the enigma of time changed the course of intellectual history."--Palle Yourgrau, Brandeis University

"Whether readers side with Einstein's physics or Bergson's philosophy isn't the most important thing: this book opens up new ways of thinking about the relationship between science and the humanities that unsettle both."--Gerald Holton, Harvard University

"This exciting, hugely interesting book opens out from a short but critical encounter between the philosopher Henri Bergson and the physicist Albert Einstein to consider their philosophies and the effects of their argument on the modern idea of time. Canales turns what is at first sight a limited debate into a major transatlantic encounter of profound implications. Well-researched, well-argued, and elegant, The Physicist and the Philosopher is a first-rate work of scholarship."--Stefanos Geroulanos, New York University

"The Physicist and the Philosopher is a lively and engaging account of the meaning of time in the twentieth century. Canales uses the 1922 debate between Albert Einstein and Henri Bergson as a starting point from which to discuss an astonishing array of thinkers, technologies, and cultural developments. The book is an innovative, rich, and almost encyclopedic exploration of a crucially important question."--Edward Baring, author of The Young Derrida and French Philosophy, 1945-1968

About the Author Jimena Canales holds the Thomas M. Siebel Chair in the History of Science at the University of Illinois, Urbana-Champaign.


The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

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43 of 50 people found the following review helpful. A Great Effort, A Critical Miss, By Stephen E. Robbins This book is an exhaustive, detailed, admirable effort, covering an aspect of scientific debate that originated with the twin paradox and the meaning of relativity, and covering a philosopher involved that should indeed be far more widely known. Dr. Canales seemingly hits every aspect of the relationship between Einstein and Bergson – their apartments, dress, allies and enemies in the philosophical and scientific world, technological developments, emerging commentaries and actors, the seminal effect of the debate in the academic world, all the way to the present. Even for a student of Bergson, new aspects and facts about this debate are continually being opened. The problem here is that it is a detailed history, but a history with little conceptual penetration of the debate. A one-star reviewer here (“Why was this book written?”) notes that after 100 pages, he still has no clue as to the significance of the debate. As far along as page 84, we find the phrase, “Bergson’s objections to the theory were disquieting…”, yet I doubt if any reader could summon any coherence as to what these objections were. It gets no clearer further on. Bergson’s statements sprinkle in throughout; nowhere is there a coherent presentation of his arguments. In other debates – Bergson versus the physicist Andre Metz, Bergson’s treatment of the physicist Becquerel’s arguments – Bergson’s actual arguments are somehow completely obscured – the inessential, strangely, is what is reported. I think it safe to say that the book leaves the general impression that, a) Bergson did not believe the time-retardations of relativity were possible, and b) there is a general conflict between the “lived” time described by Bergson and the abstract, scientific time of Einstein. And aside from the rich details of the history with its players and events, this is about it. This is a tragedy, both for a work of this scholarly an extent and depth, and particularly for the fact that it is not Einstein and the current interpretation of STR that needs explanation; this is ubiquitous, books appear on it constantly. It is Bergson that needs the explicating. The need to explicate Bergson exists because the twin paradox debate has never been settled, though Canales conveys the impression, generally, that it is. The issue is a rot at the core of physics, our theory of time, and therefore, our theory of consciousness, to include whether an AI can achieve consciousness. If one thinks this debate settled, witness respected philosopher of science, Tim Maudlin’s recent effort (Philosophy of Physics: Space and Time, 2015); witness his quadruple somersaults to resolve the issues. When Langevin announced the paradox in 1911, Bergson’s antenna went up, for Langevin was now claiming that special relativity (STR) can explain real, ontological effects – should the rocket-twin return looking like a young Brad Pitt, the earth twin with a grey beard in a wheel chair, this is a very physical, very real (ontological) effect. But the structure of STR precludes such an explanatory use. Einstein, as Bergson made explicit, had embedded the Lorentz transformations within a reciprocal system, wherein each observer can declare himself at rest, the other in motion, and vice versa. In STR, the rocket-twin is equally able to declare himself at rest, the earth-twin in motion. It is now the earth-twin that looks like Brad Pitt. For this reason, as MIT physicist A.P. French also took pains to explain in his textbook (Special Relativity, 1968), STR cannot be used to explain real, ontological effects, i.e., STR does not explain, and cannot be used to explain changes (either of length or of time-intervals) as "a property of matter" (p. 114); it only describes measurement effects - "something inherent in the measurement process" (p.114) – effects with no ontological status. This measurement effects (or “apparent” effects only) characteristic was exactly why STR was considered an explanation for the Michelson-Morley experiment. Lorentz, trying to save the Maxwell-Lorentz equations for electromagnetism and their requirement for an absolute motion in the ether, had a bit earlier offered a physical model of the contraction of the apparatus arm parallel to the motion of the ether (or of any body in motion, to include a reduction of frequency) based on electro-dynamic forces. It was a rejection of the relativity inherent in Newton’s first law. Physics rejected Lorentz’s offer; Einstein’s new version of relativity, with its measurement effects-only solution, was accepted. Physics nowadays uses the “pole-barn paradox” as a parable to reinforce this: A telephone pole, too long to fit into the barn when the pole is at rest, shrinks and fits inside when set in motion at high velocity. But, we are solemnly warned, the opposite is also true, there is that reciprocity – the barn can equally be set into motion, now the pole does not fit. Thus length (space) changes are considered not ontological; they are measurement effects only. Physics must hold this to stay consistent with its acceptance of Einstein and the supposed explanation of Michelson-Morley. But when we come to time, this is different. Not only is the twins’ differential aging considered very real, but STR is used to explain the also very real, longer life span of muons travelling at high velocity or the retardation of a clock carried on a jet relative to its twin left at the airport in the Hafele-Keating experiment. Yet not only its inherent reciprocity structure precludes using STR to explain these effects (French, like Bergson earlier, noted that one could put a tiny physicist on the muon, who now declares that HE is stationary, the earth physicist moving towards the muon), the fact is that in the Lorentz-Einstein equations, space changes compensate for time changes (lengths contract, time units expand). Space and time changes then cannot be of two different orders - one measurement only (space), one ontological (time). Again, to be consistent with its structure, all effects, whether of time or space, must indeed be taken as measurement effects, that is, non-ontological. What has happened is that roughly ever since Langevin, two incompatible solutions - that of Lorentz, that of Einstein - have been fused into an unholy mess. To explain these very real, very ontological effects - the muons, the jet-carried clocks - some other theory, yes, some other theory is necessary. This was the essence of Bergson’s argument. It is a far cry from Bergson simply not accepting the reality of time-retardations (which is roughly what we glean from the book), or per Einstein, that he "had not understood the physics" (p. 125). The above statement – some other theory is required to explain the longer living muons (or retarded clocks, or ageless twin), STR is invalidly used in doing so – is what Bergson could not get through to Andre Metz. You cannot see this – any of this – in Canales’ treatment, it is just obscured. Yes, the arguments shifted to invoking acceleration (since the rocket of the rocket-twin must accelerate) as the cause of the aging retardation, and thus we move into the General Theory. Bergson dealt little with GTR, but in what he did do, he had powerful arguments. For just one: How, he asked, can acceleration have such a privileged position in Einstein’s framework? Velocity is the first derivative - the rate of change of position with respect to time. Acceleration is simply the second derivative – the rate of change of the rate of change of position. How can the 2nd derivative be so privileged over the 1st? If one cannot derive the Lorentz equation for t’ in the context of acceleration, he argued, one has undercut all of the calculus and physics itself (search “Wang, Clock Paradox” for exactly this derivation). Acceleration being involved then changes nothing in the reciprocity structure between the twins. But none of this - to include the still unsettled and continued oscillation between STR and GTR as the source of explanation for these effects (there are plenty of attempts to keep STR as the source) and the diagnostic of illness this represents - makes it to the book. It is this very misuse – the supposed explanation of these time-related ontological effects by STR (note, not GTR!) – that gives STR its aura of validity or, per Canales, "unambiguous proof, " or "stunning confirmation” (p. 31). And, note, it is the belief that these real effects are explained by STR that is used to confirm the notion that the relativity of simultaneity is also real. This then cements in the supposed reality of STR’s space-time block with the entire past/present/future laid out in a frozen structure. It is a structure in which the experience of time’s flow becomes an illusion, an illusion yet to be explained. It is a structure that undermines any possibility of a theory of consciousness. This is what Bergson was battling. He had a theory of consciousness, a theory that speaks directly to Chalmers’ currently heavily debated “hard problem” of consciousness, a theory that presciently used the essentials of holography in a holographic view of the universe, and a model made coherent by his concept of time as an indivisible flow. His model of time, moreover, could easily be seen as that towards which physics has to move to relieve its current impasse (e.g., Unger and Smolin, “The Singular Universe,” and my review). But all this too is just neglected or obscured. There is much to be learned from the book. It is interesting to see that Einstein’s responses to critiques often consisted of nothing more than simple deflections, to the effect (and not using precise quotes): “Interesting, but it is a fantasy,” “XXXX does not understand the theory.” If one understands the actual issues, it seems Einstein got away with something. So unfortunate. At issue was the actual physical (not just the metaphysical) interpretation of a critical theory in physics, the validity and therefore usefulness of its “generalization” as a theory of gravity, the future question of just what theory (the consistent STR or the inconsistent) we are attempting to reconcile with quantum theory, and the nature of the theory of time to be used as a framework for a theory of consciousness. But the issues are obscured; they still are, and this too is unfortunate, for the subject is a great one.

13 of 13 people found the following review helpful. Nice intersection between Science and Philosophty By Gary Einstein's block universe takes Time out of the universe. Time after Einstein can be said to be an illusion, time is that which exist so that everything doesn't happen at once. Henri Bergson, probably the most famous 20th century philosopher that most people have never heard of, but almost everyone has heard of his arguments ('elan vital', 'creative evolution', 'intuitive time'), wanted to put man and his intuitive understanding of time back into the center stage of the universe.If I were to write a movie where the protagonist was going to time travel, I would have her reading a copy of this book. Time is not what most of us think it is and by seeing if from the perspective of these two great minds adds to my appreciation for the nuances involved.I have a hard time finding new books in science or philosophy which are not just a rehash of other recent books that I have already read. This author manages to talk about her subject matter in a surprisingly refreshing manner. She gives the reader the connections and the nuances involved in the story. Einstein did make the 'original sin' (his words) of entwining the absolute speed of light with a physical clock. That is the ultimate problem that Bergson has with Einstein, the physical understanding of time with the universe's understanding of Time. Einstein (and as science always does) will mix the concrete (empirical) with the abstract (intellectual) and develops a theory about reality.The author draws the connection with Bergson's view point to Husserl's Phenomenology, to Heidegger's Being (Daisen), and to the start of the Existentialists. I did not realize, for example, that Heidegger's 'Being and Time' was such a strong reaction against Einstein. That Heidegger wanted to put the 'becoming' back into the world from the being of being (Daisen) because Time (that's 'time' with a capital 'T") was being taken out of the world.The book not only equally considers the science and the philosophy at the period under consideration it also gives a subtle discussion about the nature of science. Copernicus makes the sun the center of the solar system, but does that mean it's only that because it makes the mathematics easier to play with or is it really that way. Einstein takes out a universal time by taking out simultaneity and replacing it with the speed of light as a constant and a physical clock (and the equivalence principle, where inertia mass is equivalent to heavy mass, but the author seldom talks about gravity).Einstein never accepted quantum physics even though he is one of its principal creators because of his discovery of the photoelectric effect and Brownian motion. His General Theory is based on continuity. Bergson's approach is more discrete thus more attuned with quantum physics. The author points out how in some ways the science of quantum physics started going towards Bergson.I really appreciate an accessible book that takes me way beyond the current popular science and philosophy books and not just a rehash of things I already know, and therefore I would recommend this book for those who love the intersection between science and philosophy and like to be challenged with a story that has not already been told in such depth.

12 of 13 people found the following review helpful. A worthwhile and entertaining read! By robert A scholarly, elegantly written history, so well researched that it could serve as a text for a college level course .The author details the history of a debate between Albert Einstein and Henri Bergson in Paris on April 1922, in which they discussed the meaning of time. The narrative uses the Hero concept, the Great idea concept ,the Great event concept and Tolstoy,s idea that he who talks the loudest makes history, to present the history and impact of the debate. I found the book to be an interesting and thorough discussion of the relationship between Art ( Philosophy) and Science as we consider our understanding and perception of Time.It would make a nice companion to Werner Lowenstein's Physics in Mind .

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The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales
The Physicist and the Philosopher: Einstein, Bergson, and the Debate That Changed Our Understanding of Time, by Jimena Canales

Jumat, 09 Mei 2014

Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material],

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Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander



Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander

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Dollar, dollar bill—create fun and intricate origami using your Washingtons, Franklins, and Lincolns.World renowned origami artist Michael LaFosse introduces Mini Money Origami. This origami ebook includes a whimsical collection of new origami paper craft projects designed for paper folders of any level of skill to practice the increasingly popular art of folding origami dollars. Don't bother with all the free, unreliable and confusing instructions out there to learn origami—having real, professional origami instructions right in front of you makes all the difference and saves you time. The origami practice dollar bills mean that you won't have to fold on real money and can save it up to buy some more origami ebooks!This easy origami ebook contains:

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Money origami is more popular than ever, thanks to the panoply of designs and the wonderful folding qualities of the dollar bill. Many people like to give cash gifts or tips in folded money. While the classic origami folds still fascinate, money-fold enthusiasts are always looking for fresh ideas. Mini Money Origami is full of original designs to learn origami quickly and easily. At such a great value—folding money has never been so easy or affordable!Origami projects include:
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Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander

  • Amazon Sales Rank: #1192797 in eBooks
  • Published on: 2015-05-19
  • Released on: 2015-05-19
  • Format: Kindle eBook
Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander

Review "I like seeing the smiles on people's faces when I present them with a money fold! […] I used the DVD instructions and found the video tutorials very easy to follow." —Hand Made By Deb blog

About the Author Origami Master Michael G. LaFosse has been an origami artist for over 40 years, and is considered a leading authority and master of the art. An avid teacher, LaFosse co-founded the Origamido Studio, a learning center and design studio dedicated to the art of origami, and the only place in the world specializing in hand papermaking for the origami artist. Author of many books and videotapes relating to paperfolding and hand papermaking, LaFosse produces fine paper art and commercial designs for a variety of international clients. He was prominently featured in the recent Peabody Award-winning documentary, Between the Folds.Richard L. Alexander co-founded the Origamido Studio, where he is the chief papermaker. As a designer his specialties have included biology (systems ecology) and landscape architecture. Together, Alexander and LaFosse have created dozens of origami exhibitions, and more than seventy books, kits, and videos about paper and paper arts.


Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander

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6 of 6 people found the following review helpful. Beautiful models. By topaz Although there are fewer models, they are original and some of the best, especially the bat. This kit includes a DVD and correct sized papers. Well worth the money. :)

4 of 4 people found the following review helpful. A whole new world of dollar tips are available with the $3 bird base By K. Knapp The individual units of the $3 bird base are easily folded and assembled. The finished crane is impressive because of its stately size. When created using two dollar bills (for a $6 tip), the crane is quite striking. Many origami folds are made from the bird base. Knowing how to make one using three bills is well worth the cost of this small book. A traditional star is included, from the bird base, for an impressive finished fold.

1 of 1 people found the following review helpful. Worth it.... By Cheryl Takata This kit is worth the price!!! I have been wanting to learn how to make a traditional crane out of money. This method is a little large but works. The video instruction is very well made that even a person who has never folding origami can do this. HIghly reccomended.

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Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander

Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander
Mini Money Origami: Make the Most of Your Dollar! [Origami with Downloadable Material], by Michael G. LaFosse, Richard L. Alexander

Art&Home: Decorating with Art in 21st Century Homes, by Michal B. Peleg

Art&Home: Decorating with Art in 21st Century Homes, by Michal B. Peleg

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Art&Home: Decorating with Art in 21st Century Homes, by Michal B. Peleg

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"ART, FURNITURE AND ARCHITECTURE. How do we arrive at the perfect composition between them?." Focusing on ten inspiring artful homes around the world, the book shows readers that all it takes is the right combination between art, interior design and architecture. With the right selected art and furniture, we can create beautiful and artful homes that reflect our personal style and art preferences. The book introduces you to some of the top architects and interior designers working in the home-design industry today, including Karim Rashid, Chad Oppenheim and Guilherme Torres. Dazzling photographs of their most artful projects will inspire professionals and art-loving homeowners alike. They have created not only architectural masterpieces, but homes that are living, breathing artistic entities. Whether you seek inspiration, professional design knowledge, new artists or ideas, the book Art&Home offers an exciting view through the story of each home. Each chapter is an introduction to a different art style, offering personal interviews with the artists and architects, and helpful tips and lessons along the way. This book is a great tool for any interior designer and art lover who seeks inspiration and guidance for decorating with art.

Art&Home: Decorating with Art in 21st Century Homes, by Michal B. Peleg

  • Amazon Sales Rank: #631904 in eBooks
  • Published on: 2015-05-28
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Art&Home: Decorating with Art in 21st Century Homes, by Michal B. Peleg


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4 of 4 people found the following review helpful. Spectacular guided journey By Michael K What I liked about this book was that it was a journey across continents, artistic styles, architecture, interior design and artists, but remained accessible to the ordinary reader despite the interdisciplinary approach. Also I was amazed by how often IKEA came up in what could easily have been a "high brow" book for a select niche. This was almost like the Art &Home for Dummies, as it was not pretentious and taught me principles of art and design, without even realizing it. Also the short interviews added a very personal level, which made the various homes, well, just more homely, as opposed to a static showplace pictures of artistic homes. The photography is visually stunning, even on a kindle.

3 of 3 people found the following review helpful. It's a great read---you feel as though you've taken an international journey ... By K. ben Avraham Michal Peleg has done a stunning job here of combining some extraordinary home interiors, art collections, and design projects with personal interviews and basic tips on incorporating each style into the reader's own home. It's a great read---you feel as though you've taken an international journey to every location she highlights. Through gorgeous photography and intriguing prose, Peleg illuminates some beautiful homes and inspires her readers to implement the same design principles in their own.

2 of 2 people found the following review helpful. I like this book very much By Benny Yashinovsky I like this book very much. Somewhere in chapter 8 I have found a similar home to my house. I love abstract art and I think I will follow the furniture combination in that project

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Art&Home: Decorating with Art in 21st Century Homes, by Michal B. Peleg